All in Good Faith
Day One
Basque Country To Cantabria Vesna Maric takes a three-day tour of northern Spain’s pilgrims’ trail, and finds it offers some of the best coastal and cultural experiences. Photography by Rafael Estefania
I am a fake pilgrim. That is, in the eyes
of the devout, who walk hundreds of
kilometres along northern Spain’s
Camino de Santiago (or Way of St
James) to attain the compostela, or
certificate of accomplishment – as well as some
spiritual enlightenment.
I don’t think I am a fake pilgrim – after all I am following the coastal route (Camino del Norte) starting at one point (Bilbao), stopping off at several spots along the way (Santander, Gijón), and finishing at the traditional end of the pilgrimage, Santiago de Compostela. The only difference between the real pilgrims and me is that they are walking and I am driving. Oh, and that they take weeks to complete the pilgrimage and I’ve only got a long weekend.
Don’t get me wrong, I am a big admirer of the
pilgrims who travel by foot, bicycle, on horseback and
even by donkey as they did in medieval times, but I
don’t have weeks or months and frankly, enduring
sweaty armpits, aching legs and blistered feet is just
not my thing. But, I have decided to set myself some
tasks: taste at least three local specialities, swim from
at least one beach, see a range of monuments, visit at
least three churches and get to Santiago by noon on
Sunday. I start Friday morning.
Bilbao’s Guggenheim Museum shimmers in the pink morning sunshine, its titanium and limestone structure splashing about in the air like a prehistoric sea monster. I fasten a scallop shell – the symbol of St James, or Santiago, and the sign of a pilgrim – onto my handbag and head along the city’s Nervión river. The riverside area is undergoing a massive redevelopment. A dreary and industrial part of town until a few years ago, no one I talk to can quite believe the transformation. It’s not only architect Frank Gehry whose buildings adorn the cityscape, there’s work by Norman Foster, Zaha Hadid, Santiago Calatrava and Arata Isozaki. Their structures take all shapes and sizes, playing with light, material, form and tradition. Bilbao is fast becoming a modern, vibrant city.
What I really want to see, though, is the Hanging
Bridge, Spain’s only Unesco-protected industrial
monument. The tall, slender metal structure looks
like it has been made out of incinerated
matchsticks. It transports cars and pedestrians
between the riverbanks on a suspended raftlike
concoction from morning till night. Alberto
de Palacio, a friend of Gustave Eiffel, built the
bridge in 1893, which explains why the structure
could be mistaken for a deconstructed Eiffel
Tower. I brave the 40m lift climb, a perfect vantage
point – the Bay of Biscay stretches to the north,
and the posh Bilbao suburbs to the south. The
view is beautiful, dare I say it makes me feel a
little spiritual.
My next task is food – and if there’s
one thing the Basque Country is known
for, it is gastronomic excellence. I drive
out to Baserri Maitea, one of the region’s
best restaurants, hidden in the depths of
the emerald countryside. The thick rays
of sunlight fall though the ceiling of the
converted old barn, illuminating the food
as if by a divine spotlight. There’s tender,
bloody beef and impeccable seafood, and
as I chew, I feel I am
diligently fulfilling
the tasks of my
condensed pilgrimage.
After lunch, I get into the car and head to the neighbouring region of Cantabria, and the church of Santa Maria de Bareyo. The 12th-century Romanesque structure is sparse, save for a few simple Bible scene carvings.
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